Chong The Nomad (real name Alda Agustiano) is a 26-year-old Indonesian-American producer, DJ and artist based in Seattle. She’s already a strong presence in the sync world with spots for Singapore Airlines, Apple, and Universal Audio, as well as placements with Maybelline (broadcast ad), Modern Love (Amazon), and The Bold Type (Freeform), Nora from Queens(Comedy Central), Nike(Podcast). As a producer, she has co-produced the single on Marvel’s Shang-Chi and the legend of the Ten Rings soundtrack featuring Rich Brian and 21 Savage. She also co-produced Wafia’s Atlantic single “Pick Me,”. As an artist, she has shared stages with the likes of The 1975, Odesza, Death Cab for Cutie, Head & The Heart, K.Flay, Omar Apollo,Toro Y Moi, & Japanese Breakfast.

Over the course of five years and five LP’s, L.A. veterans, Frankie and the Witch Fingers, have been mutating and perfecting their high-powered rock n’ roll sound. After savagely touring the USA and Europe, this four-headed beast has shown no signs of relenting—appearing like summoned daemons and dosing crowds with cerebral party fuel.

The main attraction of Frankie and the Witch Fingers is their explosive performance. With their rowdy and visceral approach to live shows, each member brings their own devilry to induce an experience of bacchanal proportions.

Using absurd lyrical imagery—soaked in hallucination, paranoia, and lust—the band’s M.O. strikes into dark yet playful territory. This sense of radical duality is astir at every turn, in every time signature change. Airy vocal harmonies over heavily-serrated riffs. Low-key shamanic roots under vivid high-strangeness. Rambling stretches and punctuated licks. Cutting heads and kissing lips. All this revealing a stereophonic schizophrenia that has flowed throughout their body of work: an ebb & flow of flowery-poppy horror.

The band’s latest incarnation is primed to break new sonic ground, edging into the funky and preternatural. Just when you think the trip couldn’t get any weirder, Frankie and the Witch Fingers cranks up the dial, shatters the mundane, and summons new visions. 

Sego’s 2nd long player Sego Sucks is woven with the changes of becoming a four-piece band. Originally Spencer Petersen and Thomas Carroll, the band added members Alyssa Davey on bass and Brandon McBride on guitars and keys in 2018. The sound became more focused, but the raucous spirit that has kept people sweating since the beginning is just as tangible and, dare I say, primal as ever.

Spoon Benders is a progressive psych-rock powerhouse that has been relentlessly crisscrossing the United States, leaving a trail of newly acquired fans in their wake. Spoon Benders have become synonymous with an electrifying stage presence that can only be described as loud, controlled chaos.

Spoon Benders have been carving their path through the musical landscape since their inception, and are now consistently supporting notable acts such as Frankie and The Witch Fingers, L7, Fuzz, Meatbodies, Deap Vally, Death Valley Girls, and The Paranoyds.

In April of this year, Spoon Benders unleashed their sophomore album, “How Things Repeat,” upon the eager ears of the public. The album is a testament to the band’s artistic evolution and ability to push the boundaries of their sound. “How Things Repeat” has been met with resounding acclaim, cementing Spoon Benders’ status as a force to be reckoned with in the psychedelic rock landscape.

Moon Owl’s Mages is a 5 piece psych/ garage rock band from Boise, Idaho. Forming as Jack Ball’s backing band in 2019, the group took a liking to playing covers by artists like OSEES, Tame Impala, King Gizzard, Ty Segall, Coachwhips and other psych outfits. After several shows around town, they decided to accept a new quest; forming Moon Owl’s Mages. First act of business was to write, record, mix and master an album in two week’s time. Birthing their first album, “Skelly Bones and the Flaming Crown”, a concept record about a skeleton and his nemesis. After a hiatus due to COVID, Moon Owl’s Mages are back in business baby! “Kill The Crackle” was released in September of ‘22 and the band describes it as dog beats, psychobilly space prog, Floyd-funk, spooky tunes, biting music and more! So if you like any of those, you might like them!