“Sydney Sprague channels her sadness, anxiety, and existential dread through driving guitars,
shimmering melodies, and the deceptively sweet weapons of indie pop-rock and keen observation.
Self-aware with a knowing injection of dark humor, her songs summon the best of 90s alt-rock and
classic power-pop without sacrificing a melancholy befitting of the end times. Her music is intimate,
vulnerable, confrontational, autobiographical, and strangely uplifting. Her sophomore record,
somebody in hell loves you, is as devilishly saccharine as the title implies, boldly accessible and
smart.
The positive press, word-of-mouth, and a stellar tour with Jimmy Eat World and Dashboard
Confessional helped make organic streaming hits out of songs like “steve,” “quitter,” and “i refuse to
die”; “object permanence” boasts nearly 1 million streams on Spotify alone. “As a smaller artist, it’s
almost impossible financially,” Sydney says of her relentless schedule. “But I love it so much.”
Sydney wrote most of somebody in hell loves you during the pandemic lockdowns, and yet, it’s
decidedly less angsty than its predecessor. “And not because I’m a less angsty person,” she clarifies.
“Obviously, none of us were in a good place in 2020. It was a depressing time. But I didn’t want to
wallow in that. I wrote more as an exercise to distract myself from my woes.” A lot of the songs
became observational storytelling, exploring the drama of people around her and revisiting her past.”
PONY
While PONY’s genesis can be traced back to 2015, its current incarnation took shape in 2018 when songwriter Sam Bielanski paired with guitarist and collaborator Matty Morand during the writing process for their 2021 Take This To Heart Records debut, TV Baby. In the strange and unprecedented isolation that surrounded the two or so years around that record’s creation and release, Bielanski and Morand made the best of their downtime by challenging themselves to write a new song each week. The end result of that effort was over 200 songs and finely honed songwriting chops that are plainly evident in the pitch perfect pop hooks and timeless indie rock swagger that make up Velveteen’s 10 tracks. Influenced by countless hours of television, literature, and self-reflection, the record is also the band’s most vulnerable material to date, examining the complex relationships between longing, connection, and authenticity to oneself.
Velveteen, the sophomore LP from PONY examines the complex relationships between longing, connection, and authenticity to oneself. The albums 10 tracks blend a hyper catchy mix of freewheeling 90s college rock and early 2000s alternative that lets the bands anthemic pomp and unguarded vulnerability shine as a formula that feels as effortless as it does fresh.