Show Me The Body is a New York City based ecClesiastical hardcore trio consisting of Julian Cashwan Pratt (founder; banjo and vocals), Harlan Steed (founder; bass), and Jackie McDermott (current drummer). The band has organized non-traditional, intentional DIY spaces for NYC youth since 2015, and since expanded that work to a global capacity through their urgent, ceremonial live shows, subterranean punk and hip-hop mixed tours, and their CORPUS NYC platform. Trouble the Water is the culmination of nearly a decade of barrelling against New York City’s structural ambivalence and indifference; an invocation to a like-minded global community to consider the alchemy of family-building, and of turning water to blood.
Trouble the Water both references and pays homage to the physical city, and the New York Sound: not one particular genre, but the people and subcultures that encapsulate it’s true foundation, style, and spirit; while expanding upon and reckoning with the hyperlocal territory of 2019’s Dog Whistle. With Pratt’s most encantatory, interrogative poetry to date, and Steed expanding the glitchy, caustic arena of his electronic experimentation, the band is feeling more like themselves than ever. The founding duo, who have worked together since 2009, used Trouble The Water to methodically inhabit one another’s forms; Pratt experimented recklessly with production and synths, while Steed challenged his own focus to include melodies and riffs.
Although the title invokes the ancient alchemy Moses wielded to free and unite Israelite peoples, Trouble The Water refuses nostalgia, or mimicry. Instead, it considers the sublime power of the unifying physical practices that can be enacted daily, to invoke immeasurable spiritual and collective reactions. Buoyed by moments of stinging stillness and compulsive, almost optimistic, malfunctioning rhythms, the work is literally a conjuration to dance, and move. If we are really living through the end of the world, maybe every movement we make, no matter how slight, is actually boundless and radical. How do we find freedom through rejecting time altogether, and existing only in communion, in space, and in the constellations we form as we choose our “blood” families? Or, as Pratt demands on Demeanor, “What’s better than when we come together? Fighting, dancing, fucking together.” Trouble the Water is at once a homily for those left behind or displaced, and a searing investigation of what survival looks like from within the borders of an aggressively policed city and state, that postures those unignorable calls for rage and migration to a world at war.
Bandmate and long-time music inspiration Jackie McDermott (Sediment Club, Urochromes), joined Show Me the Body in 2020 as drummer, and is featured on the project. Trouble The Water was recorded entirely at the band’s CORPUS Studios in Long Island City, with veteran metal producer Arthur Rizk, and co-engineered by studio co-founder Aidan Bradley.
Dog Whistle (2019) was produced by Chris Coady, Show Me The Body and Gabriel Millman. The heavy, honest project was in direct conversation with the oppressive, claustrophobic psychology of the city, and their most critically-acclaimed work to date, described by NME as “a dedication to the community, friends and family at the heart of Show Me The Body” coupled with “the jarring noise and harsh sonics that made [SMTB] one of punk’s most idiosyncratic voices.” Dog Whistle followed Show Me The Body’s now historic, genre-defying debut album Body War (2016).
Since 2015, Show Me the Body have expanded their international music community into an independent label, recording studio, and community organizing platform. The band recently completed their Half-A-USA tour with support from Soul Glo and WiFiGawd, which included their inaugural In Broad Daylight festivals in New York and Los Angeles. Through the intentional cultivation of their local and global chosen families, and a decade-long dedication to sustaining the New York Sound, Show Me the Body has solidified a legacy of confronting and permanently shifting the rigid limitations of the hardcore genre.
High Vis
Birthed in 2016 from a cross-section of beloved UK punk groups, London’s High Vis have steadily become legends by virtue of their passionate performances and evolving discography of poetic, progressive hardcore. Comprised of singer Graham Sayle, drummer Edward “Ski” Harper, bassist Jack Muncaster, and guitarists Martin Macnamara and Rob Hammaren, the band fuse the fury of English street punk with touches of Brit pop melody, neo-psychedelia swirl, wiry post-punk rhythm, and even bits of Madchester groove. To Sayle, such melting pot energy points the way forward: “For years hardcore had pretty clear boundaries – other scenes were separate worlds. Now things are getting more blended, drawing from different places.”
With origins from various corners across the United Kingdom, the group of musicians that make up High Vis represent the heart of DIY, boot-strapping UK punk and hardcore. Formed by members from the bands Dirty Money, Tremors, City Dweller, Reflect, Shame, and more, High Vis fuses together the ethos of the broader hardcore community while bringing various musical influences and inspirations into the fold, allowing them to touch new folks who may not have listened to past projects while simultaneously tipping their hat to longtime fans.
In 2019, High Vis released their debut full-length No Sense No Feeling, which put them on the map and opened the viewfinder for what the band could do beyond the parameters of any genre or scene. Painted with post-punk inspired textures and moods, No Sense No Feeling laid a sonically adventurous foundation to which High Vis has expanded on throughout their career. In 2020, High Vis released the Society Exists EP laced with vocal FX and synth lines further showcasing the band was not easy to pigeonhole or restrain.
With 2022’s breakout Blending, High Vis expanded upon their self-described “post-industrial Britain misery punk” with an anthemic rock sound combined with baggy grooves. Lyrically, the album was a leap forward for High Vis as frontman Sayle took a more principle role in writing the lyrics and melodies. Sayle’s took focus on social consciousness addressing the downtrodden and discarded communities across Britain while also looking at himself and his own emotional landscape. The process created something that feels universal and ultimately relays a message of hope.
The band’s third and latest full-length, Guided Tour, refines their lyricism and chemistry to its most potent nexus yet. Full of swagger and sneers, hooks and hope, revolt and righteous anger, the album’s 10 tracks hit like anthems for a new England. And while the songs’ specifics often speak to their native country in particular, the themes addressed are universal. Theirs is a camaraderie born of sweat and experience, years in the trenches of ripping shows and shit jobs, still fighting back, still fighting for something better. High Vis are proving themselves protectors of the flame, and avatars of the best hardcore has to offer.
Special Interest
TRUST NO WAVE
BIB
Love, Peace, Poetry & Hardcore
