Screaming Females Bob Sweeney 1

Formed in New Brunswick, NJ in 2005, Screaming Females is Marissa Paternoster (guitar, vox), Mike Abbate (bass), and Jarrett Dougherty (drums).

“Marissa Paternoster is one of the best guitar players alive.” -Kathleen Hanna

Once you start looking for them, you’ll see desire paths everywhere. In parks and driveways, parking lots and apartment complexes, in front of corner stores, libraries, schools and offices. “Maybe there was one in your neighborhood growing up, a corner where everyone decided it took too long to go around, so they made their own pathway to cut through,” says Marissa Paternoster, singer and guitarist of Screaming Females. “There’s this cool unsaid group consciousness that comes together where everyone decides, this is the right way to go.” Now a band for half the lifetime of its members, Screaming Females have long been pounding out their own desire path. Formed in 2005 in New Brunswick, NJ, the trio has consistently created a hearty, surprising mix of indie-, alt-, punk- and stoner-rock, all with their original line-up of Paternoster, “King Mike” Mike Abbate (bass) and Jarrett Dougherty (drums). Released on February 17th by Don Giovanni Records, Desire Pathway was recorded at Minnesota’s Pachyderm Studios (where Nirvana recorded In Utero) and produced by Matt Bayles (Foxing, Pearl Jam, Mastodon, et al). Bright and full, the album captures the band at a time when nothing was certain other than their abiding desire to make music together. Desire Pathway opens with the Sabbathy hypnotism of “Brass Bell.” Following a swelling haze of synth, feedback shrieks, martial snares advance, and the band explodes into a bracing groove. Soon, Paternoster makes the cryptic announcement: “I have flown us to the moon,” and we’re off. The song has the effect of clearing one haze and replacing it with another, much heavier one. Compared with their previous record (2018’s expansive All at Once), Desire Pathway feels refreshed and direct. “Beyond the Void” may gather gloomily, but it quickly releases into its jangly, memorable chorus. Single “Mourning Dove” successfully channels the Pixies into a tight, driving power-pop song that passionately declares “my love for you is too strong to hide.” Now 18 years and eight albums in, Screaming Females are still making their own path in the world, still touring DIY and releasing music without compromise. The route might cut a little off the main road, but you’ll quickly see there’s a reason they’re on it. You just might like where it leads you.

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Bone Haus

Bone Haus delivers a sound and DIY vibe that is largely missing in the modern pantheon of rock music. Drawing influence from 60’s style garage-blues, minimalist post-punk, and desert rock psychedelia, the group has garnered a growing fan base that embraces their diverse and innovative approach to songwriting coupled with compelling lyricism and driving rhythms.


Cigarette Speedway

Cigarette Speedway began as a project comprised of three Nicks: Archibald on drums, Dzaitch-Pounders on guitar and vocals, and (Nick) on the guit-bass. After realizing that that was too many Nicks for one band to handle, a call was put out to the fair city of Boise for Nick-friendly musicians. Devin and Rob were added to the fold on lead guitar and bass, respectively, and Cigarette Speedway’s star began to burn even brighter. With Nick Dz-P taking up songwriting duties, the songs are chiseled and shaped by the band as a collective, turning each into a rich tapestry of power-pop, punk and post-grunge. Drawing inspiration from Reckless Eric, Elvis Costello, The Jam, Nirvana and The Minutemen, Cigarette Speedway achieves maximum rock’n’roll for the modern listener. More than just throwback music, Cigarette Speedway adds their own twist to the power-pop sound, becoming something other than an imitation. Forged in fire and bound by blood, Cigarette Speedway have worked hard and steadily to hone their songs into cocaine for the ears and have just finished recording their first 6 song EP