Based in the rustic Kootenay mountains of Western Canada, Nathan Gurley and Sean Rodman of nationally renowned electro-folk duo Moontricks draw inspiration from the ongoing cycles of the natural world. Both volatile and constant—like nature’s best offerings—the band finds solace and beauty in the fusion of seemingly disparate elements. There’s a kind of technicolor campfire quality to their uniquely hybrid sound: Each track is steeped in tradition and polished with a futuristic sheen, mixing organic folk, roots rock, and old-time blues with modern electronic production. Since its initial release, the band’s breakout hit “Home” has reached over 5 million streaming plays, and their original tracks have been licensed for a wide range of television networks, including Netflix and Fox Sports. With the release of their debut full-length album Currents, the duo reveals an ever-evolving, cohesive blend of introspective writing, soulful, gritty blues, boot-stomping basslines, and intricate electronic arrangements.
Gurley and Rodman first connected at a music festival in rural BC, then collaborated on a series of rhythmic, instrumental soundscapes that eventually developed into their signature electro-folk sound. After dropping their debut single “Home” in 2013, they joined international tours and festivals in Australia, Costa Rica, and across the USA, gaining a loyal following for their dynamic live shows, which feature a rotating assortment of guitar, keys, banjo, and vocals accented with original electronic elements. Now with their debut album Currents released September 09, 2022 via Westwood Recordings, Moontricks honor the steadfast cycles of nature that carry the world forward, despite the chaos around and inside us. “The solace found in reaching past our personal confines into the vastness beyond them is something we return to again and again—in nature and in our music,” says lead singer and songwriter Rodman. Gurley, who focuses on production, views the album as a series of paths leading into unknown territory. Vast, intimate, and dazzling, Currents is an album about settling into feeling comfortably lost, and being okay with not knowing it all. It’s about finding joy and inspiration in the act of seeking.
St. Terrible
St. Terrible is a musician and performance artist based out of Boise, Idaho. Ranging from the beautiful to the bizarre, his work is eclectic and ever changing in it’s sound, form and presentation.
The Gospel of Nothingness was created by St. Terrible in 2015. Working in collaboration with a large cast of artists specializing in everything from music to dance to set design, The Gospel of Nothingness is an immersive experience that incorporates elements from a wide range of arts and music to create a unique and expansive world that is always changing and endless in it’s stories.
“St. Terrible, a Boise, Idaho-based self-dubbed “freak folk” artist, has been, knowingly or not, spreading his own Gospel of Nothingness that not only taps into these Buddhist themes, but celebrates them with a jubilance. Mixing the joyfulness of a sermon, religious iconography, and a transgressive approach to performance itself which seeks too subvert the performer vs. audience dynamic, St. Terrible and the Gospel of Nothingness have created an expansive and embracing experience that is vital and vibrant.” – Lex Voight, LA Music Blog

