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Maita2023 1

Following MAITA’s 2020 debut, Best Wishes,  named one of the “50 Albums that Define Oregon” (Portland Monthly), MAITA’s sophomore LP, I Just Want To Be Wild For You, digs into the crippling oxymoron of modernity, the constant bombardment of communication paired with utter disconnection. 

Released via venerable indie label Kill Rock Stars, I Just Want To Be Wild For You grasps passionately for a world that too often seems at a gauzy distance.

Splitting time between her mom’s Japanese-speaking home and her father’s English-speaking home, Maria Maita-Keppeler, who KEXP calls “a master storyteller who can turn intimate moments into quippy, catchy indie-rock songs,”  found an expressive avenue out of her childhood shyness through music. The Portland-based songwriter tapped into that grand yet intimate reverence for MAITA’s sophomore album, from the churning twinkle of “Pastel Concrete” to the riotous give-and-take of “Honey, Have I Lost It All?”. In those moments of disconnect, of confusion, of isolation, I Just Want To Be Wild For You thunders ahead, forging unexpected connections along the way.

Named the Willamette Week’s 2020 “Best New Band,” MAITA, the musical vehicle for songwriter Maria Maita-Keppeler has gone on to reach national acclaim, opening for the likes of Mirah, Blind Pilot, Horse Feathers, Typhoon, as well as performing at SXSW and Treefort.

“She just has this sensitivity to her sound that I really really love.”  Bob Boilen (NPR music)

“Jaunty, lighthearted folk-rock being used as a Trojan Horse for the creeping dread of existentialism.”- KEXP, Song of the Day 

“One of the most impressive and shining acts to come out of Portland in quite some time”- Portland Mercury 

“The rarified class of artists with the ability to enthrall the listener right from the jump”-  Spin 

“Where Do You GO” video premiere on Flood Magazine

MAITA’s essay on Talkhouse

‘A clear-eyed look at growing up and holding yourself responsible for actively creating the life you want to live instead of just waiting around for it to happen.” — Cyrena Touros, NPR All Songs Considered

Chief Broom

Chief Broom

Heavy, brooding and yet uplifting, CHIEF BROOM reveals reflections of the fragility, monotony, beauty and horrors of everyday life. Centered around the songwriting of Boise, Idaho based multi-instrumentalist Shadrach Tuck and featuring a revolving cast of collaborators including guitarists William “Cheese” Cheeseman (Sly Moon Sutra) and Frankie Tillo (Thick Business, Frankie Tillo), as well as contributions from Max Voulelis (Porcelain Tongue) on drums and Jake Marchus on keys. CHIEF BROOM’s debut album “hidden in plain sight” also features strings and woodwind contributions played by Ben Youtz, Kayce Guthmiller, and Shaun Scrivner.

A labor of love, this album was painstakingly completed in the wake of band co-founder TJ Tuck’s death, by his friends, family, and bandmates to honor his legacy and memorialize his profound impact on the Boise music scene. His presence is pronounced throughout “hidden in plain sight”.

Petal Party

Petal Party

Petal Party is exploring the throes of the climate crisis with catchy riffs and awfully dreary lyrics. An indie dream pop band from Nampa, Idaho, Petal Party features vocalist and guitarist Sophie Hackett, guitarist Alex Hackett, drummer Joe Calvi, and bassist Nico Nappi. Following their debut album “Climate Guilt,” Petal Party’s sophomore album, “Wind in My Face,” uses the local landscape to navigate finding joy while living under capitalism in the climate crisis.