Thunderous low end and pulsating rhythm embody the powerful music of A Hundred Drums.
Stomping the stage in a tangle of hair and a blur of motion, her high-octane live show is the result of years of searching for that perfect primal pulse that connects humans on the dance floor. Gabrielle Watson has been cultivating a sound that moves with the times but also continues the narrative of the scene from the birth of electronic music to its journey across continents, vanguards, and movements. After a decade of crafting her sonic signature in cutting-edge spaces, A Hundred Drums has emerged onto the main stage to bring the sounds of the underground to the masses.
In early Summer 2021, A Hundred Drums released a politically potent EP on ZEDS DEAD’s Deadbeats label. Enough Is Enough outlines the struggles of being Black in America, set against the backdrop of police violence, systemic racism, and the protest movement still pervasive in a world one year removed from the death of George Floyd. Unlike anything the powerhouse bass label has ever released, a mini-documentary companion piece gave fans an inside look at the making of the record. Through it, Watson tells the story of her own mistreatment at the hands of the police and the genesis of the music and message she so desperately needed to convey. In an industry saturated with vapid party anthems, A Hundred Drums chose to use her platform to deliver substance alongside sound.
Watson cut her teeth in dark and sweaty basements showcasing icons of the UK dubstep and drum & bass scenes, and has traveled to far flung psytrance festivals to hone her mixing skills. ‘AHD’ now gets to share lineups with some of the biggest acts in all of electronic music and collaborate with some of the most sought after producers and vocalists across a multitude of genres. She kicked off 2022 as a handpicked support act for REZZ’s blockbuster North American tour. She then went on to an unbelievable run through the summer festival circuit including Okeechobee, Lightning in a Bottle, Summer Camp, Electric Forest, Shambhala, and double dates at the Gorge at Beyond Wonderland and Bass Canyon, among so many others. 2023 opened with a massive Subtronics remix and a subsequent series of dates on his ANTIFRACTALS tour. Watson’s biggest album and truest representation of her new sound is on its way. A Hundred Drums has arrived and with her comes the promise of a new generation of bass producers in ascendence.
Soohan
To know the music of SOOHAN (Stephen Suchan) is to be flooded with a rush of the vague and familiar: nostalgia meets unique and unknowable, as he deftly weaves worldwide influences into dance floor and festival-ready settings. To the unfamiliar, SOOHAN is the key holder to a catalog which dives into and celebrates what all too often lies in the periphery. Drawing from the traditional and popular music of countless cultures, SOOHAN’s signature interpretation of dance music ignores borders, favoring a shared community dance floor experience that enthusiastically exposes audiences to new musical territory with every performance.
Starting as a grassroots project in Baltimore, SOOHAN has taken off as an identity in global dance floor fusion, effortlessly combining diverse rarities with familiar 808s and bass lines. Since his initial east coast success,SOOHAN finds himself touring the US and Canada on a consistent and constant basis, with festival appearances at the likes of Envision, Shambhala, Lightning In A Bottle, Symbiosis, Burning Man, and numerous others. With some seven albums, 18 million streams, and a widely celebrated DJ mix series with Global Bass Radio, SOOHAN has hit his stride and shows no signs of slowing. SOOHAN’s most ardent fans will have even more to look forward to in 2024, as a steady output of remix compilations, DJ mixes, and original material looms on the horizon.Cultivating an appreciation for the music which lies beneath the surfaces all around us, driving a direct line to celebration of global culture, and bringing people together in rapturous dance remain in SOOHAN’s sights, virtually everywhere he goes.
Kanders10
My favorite thing about playing music is creating the atmosphere and vibe for people to enjoy themselves in.” says Kandace Furlong, aka Kanders10. “Life is all about the deep experiences we have, right? Losing yourself in music is a beautiful feeling and I love to play a part in that.” Kanders10 is an entertainer at heart, bringing her high energy and infectious vibe wherever she plays. Ultimately, connection through music and a shared coalescent experience is what drives her the most. Kanders10 grew up in Eugene Oregon, moved to Boise for university, and hasn’t left since. Her passion with music began when she started playing the drums at the young age of 10; that connection to the bass has continued to this day, where she brings in the vibe of heavy bass and different forms of dubstep in her sets.
ten.17
ten.17 is a Boise-based music artist that loves to walk the line between upbeat dance music and smooth bass beats that are easy on the nervous system. Fit for any situation, ten.17 excels at reading the crowd and providing the right song selection for the right vibe.
