Heavy, brooding and yet uplifting, CHIEF BROOM reveals reflections of the fragility, monotony, beauty and horrors of everyday life. Centered around the songwriting of Boise, Idaho based multi-instrumentalist Shadrach Tuck and featuring a revolving cast of collaborators including guitarists William “Cheese” Cheeseman (Sly Moon Sutra) and Frankie Tillo (Thick Business, Frankie Tillo), as well as contributions from Max Voulelis (Porcelain Tongue) on drums and Jake Marchus on keys. CHIEF BROOM’s debut album “hidden in plain sight” also features strings and woodwind contributions played by Ben Youtz, Kayce Guthmiller, and Shaun Scrivner.
A labor of love, this album was painstakingly completed in the wake of band co-founder TJ Tuck’s death, by his friends, family, and bandmates to honor his legacy and memorialize his profound impact on the Boise music scene. His presence is pronounced throughout “hidden in plain sight”.
St. Terrible
St. Terrible is a musician and performance artist based out of Boise, Idaho. Ranging from the beautiful to the bizarre, his work is eclectic and ever changing in it’s sound, form and presentation.
The Gospel of Nothingness was created by St. Terrible in 2015. Working in collaboration with a large cast of artists specializing in everything from music to dance to set design, The Gospel of Nothingness is an immersive experience that incorporates elements from a wide range of arts and music to create a unique and expansive world that is always changing and endless in it’s stories.
“St. Terrible, a Boise, Idaho-based self-dubbed “freak folk” artist, has been, knowingly or not, spreading his own Gospel of Nothingness that not only taps into these Buddhist themes, but celebrates them with a jubilance. Mixing the joyfulness of a sermon, religious iconography, and a transgressive approach to performance itself which seeks too subvert the performer vs. audience dynamic, St. Terrible and the Gospel of Nothingness have created an expansive and embracing experience that is vital and vibrant.” – Lex Voight, LA Music Blog
Okapi
Okapi was serendipitously born in Chicago in March of 2012 when Woodstock, IL native Scott Gorski met Columbia, MO native Lindsey Miller through a strange entanglement of Craigslist inquires. Lindsey, a classically trained cellist, had departed from the stifling conservatory direction while Scott, a self-taught upright bassist and singer, was seeking new and inventive avenues outside of traditional music. They crossed paths somewhere in the middle and worked together to form their own unique voice, which over many embodiments, eventually became a cohesive compilation of all the things they appreciated about various styles of music and sound. In short, they created the art that they wanted to experience first hand. The development of their music rode in tandem with Scott’s lyrical content to drive their foundational messages, influenced by existential philosophies, the growth of the individual, and environmental consciousness. Their musical style and subject matter continue to evolve as they whittle away at the absurdity of reality, inviting others to analyze and appreciate the power of their own individual uniqueness.
