Psychedelic rock group TEKE::TEKE are intimately familiar with duality, of splitting reality between past and present, complex melodies and hushed interludes, intense action and lingering response. After building their sound through careful assembly of countless splinters of Japanese folk, psychedelia, Brazilian surf rock, and other far-flung touchstones, the Montreal-based seven-piece indulged in and learned from stretching out in free-floating experimentation on the road. Now releasing their sophomore album, Hagata (due June 9th via Kill Rock Stars), TEKE::TEKE move fully in the space between, embracing the power of mythic pairings and identities lived at once. Matching muscly intensity with moments of cloudy meditation—like a world-class high jumper finding bliss at the apex of their leap—the group frame expressive compositions with regal flute, rich horns, ecstatic guitar, and a thumping rhythm section.
PRESS
“Spitfire songs…frenzied mishmash of guitars, trombone, assorted Japanese instruments, and Kuroki’s singing — guttural, physical shrieks in her native tongue — bears a manic energy that bleeds into even the ballads. ….engaging in a cross-continental musical scramble while flirting with detonation.” – The New Yorker
“TEKE::TEKE meld a truly unique blend of disparate elements into an immersive cinematic world, rooted in rock music but seeking to traverse much more” – Exclaim
“TEKE::TEKE’s style is a fresh and fascinating take on Japanese psych punk.” – Under The Radar
Psymon Spine
Psymon Spine’s latest album ‘Charismatic Megafauna’ explored complicated feelings and catharsis through a singular approach to left-of-center indie, electronic and dance sounds. The release earned praise from publications such as Paste, FLOOD, Brooklyn Vegan, Under The Radar, and NME, and saw playlist support from NPR Music (New Music Friday), Spotify (All New Indie, undercurrents, Fresh Finds), Apple Music (Midnight City, Today’s Indie Rock), and TIDAL (Rising: Indie/Rock), as well as notable airplay from KEXP, KCRW and the BBC.
The core members of the band—Noah Prebish, Peter Spears, and Brother Michael—grew up in the ‘00s and ‘10s with a deep appreciation for the art of “the remix,” and after the release of ‘Charismatic Megafauna’, the group found themselves craving longer and more dance-floor friendly versions of their songs to play at their recurring party Secret Friend. Introducing’Charismatic Mutations’: a remixed cornucopia of tasty new sounds, running the gambit from slow-burner headphone journeys, to mid-tempo sunset-and-white-suit head nodders, to 3am deranged apocalyptic club heaters—out April 1 on Northern Spy, featuring selections by Joe Goddard (of Hot Chip, HARD FEELINGS, and the 2 Bears), Love Injection (mixed by Nick Millhiser of LCD Soundsystem and Holy Ghost), Dar Disku, Each Other (Justin Strauss and Max Pask), Safer (of the Rapture and Poolside),Bucky Boudreau, and Psymon Spine’s own Brother Michael.
Psymon Spine’s origins date back to Prebish and Spears meeting in college and finding common ground in their artistic aims: “We wanted to make something that was experimental, but also accessible and satisfying,” Prebish states while discussing the thrust of the band’s origins, citing influences like Talking Heads and Os Mutantes along with the rush of the NYC dance scene. Eventually, Brother Michael joined Psymon Spine, as the trio hashed out the demos for what would become their debut, 2017’s’ You Are Coming to My Birthday’. “We’ve always wanted to make people feel good with our music, but challenge them too,” Spears explains.
And Psymon Spine continued on that aesthetic mission by becoming figures in the Brooklyn dance scene through throwing the immersive art and dance parties of the Secret Friend series. Meanwhile, Prebish’s work in dream-pop band Barrie—who broke out in 2019 with the excellent debut ‘Happy to Be Here’ following a string of buzz-making singles—led him to meet singer and multi-instrumentalist Sabine Holler, who eventually joined Psymon Spine’s ranks after they both parted ways with the rest of Barrie.
That band’s eponymous lead singer also guests on ‘Charismatic Megafauna’’s first single “Milk,” which later captured the attention of Joe Goddard and led to the debut single for the remix album ‘Charismatic Mutations’. “Milk”’s glimmering melodies bear resemblance to the pop smarts of Prebish and Holler’s previous outfit—but ‘Charismatic Megafauna’ is proof that Psymon Spine are on a whole different journey too, embracing and exploring left-field electronic sounds ranging from disco’s high-energy rhythmic breakdowns to the upward build of early techno and motorik’s indelibly incessant pulse. Psymon Spine put their own loopy and addictive stamp on the sounds of the past throughout, with surprises at every turn and the type of lush synth work that could only come from such brilliant students of dance music.
Thematically, ‘Charismatic Megafauna’—which takes its title from a biological term passed down from Prebish’s biology professor father—reflects on the changes the members of Psymon Spine have experienced in their lives over the past several years. “There’s a lot of recovery on this album,” Prebish explains. “It’s music about catharsis and being together. We’ve all had a crazy few years, and for all of us this band is a safe haven—a community, and a way to create something about what we were experiencing.”
He describes the squishy synths of “Modmed” as “a breakup song for our previous band,” an elegy to his and Holler’s parting ways with their old band that features contributions from Andrew VanWyngarden of MGMT, while Holler defines the message underneath “Channels”’ shouty dance-punk vibes as “Channeling whatever’s in you to something constructive in a healthy way.” “It’s a therapy song about channeling inner turmoil,” Prebish adds, “and connecting the things that define us to create a system where you can relate to the different parts of yourself.”
Reflecting optimism and emotional catharsis, both ‘Charismatic Megafauna’ and ‘Charismatic Mutations’ are heady trips through left-field pop, packing an emotional wallop.
