Jesse Welles unassumingly upholds and continues the tradition of traveling troubadours, relaying the news, putting pain into words, and healing with a little humor. Fearless, he reports from the frontlines of a divided country on the brink, addressing inequalities and injustices, cutting through all bullshit and driving directly to the source of the matter. His songs leave the same mark in front of a sold-out club as they do under the unbiased eye of a smartphone camera as he strums his guitar alone in the wilderness of Arkansas. Following tens of millions of streams and a groundswell of acclaim from Rolling Stone, the New York Times, and more, the singer, songwriter, and guitar player cuts deep on his 2025 full-length album Middle. “Breathe to write, write to breathe,” he says. “Humans are meant to create, so I’m gonna create music and keep releasing it constantly.”
Jesse calls Ozark, AR home. Growing up, his father worked as a mechanic, and his mom a school teacher. Early on, his grandpa copied The Beatles’ White Album and Sgt. Pepper’s Lonely Hearts Club Band for Jesse. At 12-years-old, he finally scrounged up enough to dough for a “$56 first act guitar from Walmart.” It became like another limb. He fed his obsession by checking CDs out of the public library and ripping them to the family computer, embracing classics from Bob Dylan, Joni Mitchell, Joan Baez, and Woody Guthrie.
Relocating to Nashville, he launched his eponymous band Welles, releasing music and touring incessantly. He logged 280 shows in a year, canvassing North America and Europe alongside the likes of Royal Blood, Highly Suspect, Greta Van Fleet, and Dead Sara. Dropped from his old label (mid-Pandemic), he quit a job at a vegan meat manufacturer and returned to Arkansas. In February 2024, life changed again when dad suffered a heart attack. Sitting in his father’s hospital room with a Woody Guthrie biography on his lap, Jesse realized what he needed to do.
He walked into the Ozarks, placed his phone on a tripod, sang right to it, and posted the performance. The ensuing series of videos made a seismic impact online. He impressively attracted over 1 million followers on Instagram by performing tunes like “Cancer,” “Fentanyl,” and “War Isn’t Murder” out in the cold. On a creative tear, he served up two full-length albums, Hells Welles and Patchwork, and sold out successive headline tours. Capping off 2024, he railed against the corruption of the healthcare system in the powerful polemic “United Health,” which Rolling Stone hailed as “a John Prine-like ballad.”
Now, Jesse turns the page on another chapter with his new album Middle and its first single “Horses.” “It’s a pro-love song,” he notes. “Fear leads to hate. Hate leads to all kinds of atrocities. You build up walls. If you love everyone, it’s a lot easier on you—and everybody else too. Hate is a whip for the mule. Nobody gets nutrition from it.”
“If my music helps you believe you can make art and tell the world how you feel, there would be nothing better,” he leaves off. “I hope you get those paints out of the garage or fill up your journal. Turn on your phone and say what you gotta to say. There’s so much wild stuff in my head. I want to see where it can go.”
S.G. Goodman
S.G. Goodman returns from the Western Kentucky bottomland with her latest full-length album, Planting by the Signs, Available June 20, 2025 on her very own Slough Water Records via Thirty Tigers. Composed of songs inspired by love, loss, reconciliation, and the aforementioned ancient practice. Eleven tracks highlighted by the critically-acclaimed and award-winning artist’s singular voice and her penchant for juxtaposing vulnerable folk music with punchy rock ‘n roll, replete with chiming guitars, ethereal atmospherics, and her DIY ethos. Goodman provides a timely reminder that the only way forward is together, and that we must always take into account humanity’s dependence on and responsibility to the natural world.
Back in the early hours of 2023, Goodman told her late friend Mike Harmon and his wife Therese that she wanted to base her next album around the concept of planting by the signs, which she had heard about growing up, and recently rediscovered while reading a volume of Foxfire. She remembered general points from her rural southern childhood – how planting a garden, or weaning a baby, or getting a haircut are best timed in accordance with the cycle of the moon. A concept diametrically opposed to the tech-obsessed, profit margin-driven mania swirling around her. Through exploring themes related to planting by the signs, Goodman hoped to help herself and others reconcile this jarring disconnect, as well to pass along the story of the practice to her nieces and nephews – the latter being a role she took very seriously.
But it wasn’t an easy path to writing Planting by the Signs or to the recording studio. 2023 saw the passing of her beloved dog, Howard, as well as the tragic death of Harmon, a father figure and mentor. Mike was mentioned in Goodman’s song, “Red Bird Morning” on Old Time Feeling, her debut. Her band used to practice in the quonset hut behind his house. He would check on her house while she toured. Often, Goodman would call him for advice from the road. A few days before he died, he advised her about putting chains on her van during a snow storm. He once drove that same van from Boston to Chicago so the band could play a one-off in the middle of a tour. He was a rock for Goodman, and a rock star in his own right.
Harmon’s death led to Goodman reconciling with her longtime collaborator and guitarist, Matthew Rowan, who had become estranged from her following a year of grueling live shows in 2021. Rowan and Goodman had met in their early 20s while at college in the Murray, KY, indie rock scene, and eventually began playing music together. His idiosyncratic guitar work became an essential part of her production. He wrote most of the guitar parts on her first two records, and their creative relationship stretched for nearly 10 years. But life on the road isn’t for all, one thing led to another, and Rowan decided to step away. After Harmon passed, Matt was one of the first people Goodman called. From there they began to mend their relationship, and eventually, once she started working on her new album, S.G. asked Rowan to be her co-producer. The album would not exist in its current form without their reconciliation.
With over 150 performances on the books in ‘23, including headlining sold out tours and opening for the likes of Tyler Childers and Jason Isbell from Red Rocks to the Grand Ole’ Opry, there was also little time for songwriting, much less recording. As she sings on “Fire Sign,” S.G. was working like “the sun don’t shine on the same dog’s ass everyday.” So, after a restful, somewhat celebratory winter in the beginning months of 2024, she began writing and demo-ing a new album, eventually Drew Vandenberg, who also co-produced and engineered Teeth Marks, to join he and Rowan as co-producers.
Finally, after nearly three years of promoting her critically-acclaimed and award winning album, Teeth Marks, with a touring schedule that would make the most seasoned road-dog wince, Goodman decamped to the Nutt House in Sheffield, AL, in the fall of 2024. Alongside co-producer Drew Vandenberg, Rowan, and a cast of musical characters, Goodman tracked what is by no exaggeration her best record to date. With songs like “Fire Sign,” “Satellite,” “Snapping Turtle,” “Michael Told Me,” “Heaven” and “I’m In Love,” Planting by the Signs finds Goodman exploring this old story and other themes in the only way she knows; with a fresh musical and lyrical perspective, vivid, incisive detail, and a heaping dose of empathy and compassion.
