
Public Memory creates music from the corners of the psychic landscape. Gritty atmospherics and damaged synthesizers invoke trip hop, dub, krautrock, and blend with a mixture of electronic and organic percussion, shadowy production + emotive singing.
His all-hardware-based sound is lush, romantic and supernatural. A sense of urgency and unpredictability is present with a touch of improvisation, tied together by producer Robert Toher’s spectral tenor. For fans of 1990s Bristol trip hop, coldwave, and Thom Yorke’s The Eraser.

Deep Heaven
Deep Heaven blurs the line between machine precision and human urgency. Rooted in post-punk and dream pop, they remain stubbornly electronic—pushing hardware synths and drum machines to their limits, layering them with bursts of guitar and lyrical confessions.
The duo began sketching out ideas for a project that would merge Max Modeen’s goth-leaning darkwave work (Enigma Machine) with Joseph Hoisington’s folk rock background—reimagined through a futuristic lens inspired by Factory Records. They bonded over a shared love of artists like New Order, Echo & the Bunnymen, and more recent acts like Nation of Language and Dummy.