It’s the early 2000’s. A music video plays on a nearby loop on the Much Music TV channel. A
man stands in a room, the background is nothing, non existent, as if in a void. The camera rolls
and does not stop. He is shirtless. Sparse guitars begin as the camera sways effortlessly
through the abyss, never taking its omnipotent gaze off the man. He is shirtless, cut from stone
like a statue from antiquity. Flawless in all regards, but we have not seen everything yet. The
music ungulates towards an apex as the camera begins to lower its gaze. Revealed are two
lines few have seen before. Angular muscles beginning at the navel and ending at the thighs. A
new style of music video is formed, a unique take of R&B is created, the artistry of D’angelo is
now truly whole.
Peter sits at home transfixed to the screen. He is amazed as his perception of what is possible
in music has changed. Peter is now on the precipice of a new dawn.
Morning has broken.
“Wake up, grandma why don’t you put on a little makeup.” Or so he thought the lyrics went to
the new music video playing. Chop Suey by System of a Down. Peter is flabbergasted again.
More new styles of music, more new guitar riffs! He sits, mouth open, with a copy of Guitar
World magazine open to the tablature of Chop Suey. Reading the fine print with a magnifying
glass he is now completely stunned, knocked flat onto his back, when he learns a guitar can be
tuned much lower than he had expected! Drop C in fact. A tuning he uses to this day.
“Time to go to school young man. This essay isn’t going to read itself,” he thinks to himself
clutching his homework. At school a classmate of Peter reads his essay aloud for marks. They
stumble through the quote “Be careful when staring into the abyss because the abyss will stare
back into you.” After class, amazed at his friend’s penmanship, Peter does a secret handshake
with the author to celebrate the success of the essay. A ‘home-shake.’ That was the moment he
Realized how to unite his new inspirations. An artist is born.
-written by an interested third party
Green-House
Six Songs for Invisible Gardens, the debut Green-House EP whose 2020 release responded to the rampant heartsickness of human and plant life, especially in non-rural areas.. Music for Living Spaces, the first full-length Green-House LP, followed in 2021— a refinement of the formula that enshrined Six Songs as a cult, eco-ambient hit. Out October 13, 2023 on Leaving Records, they have returned with the LP A Host For All Kinds of Life.
Drawing on the works of Lynn Margulis and our burgeoning understanding of the evolutionary role of biological mutualism (associations between species in which both species benefit), A Host For All Kinds of Life is a deeply entrenched and politically grounded song suite.
In conversation, Ardizoni speaks often of the centrality of joy—that Green-House’s very existence can be traced to a conscious decision they made to not only choose joy as an act of rebellion, but to find that joy in whatever plant life they could access in their immediate environment. To choose, model, and express joy in an ailing world requires courage, a courage that must be jealously guarded and constantly replenished. A Host For all Kinds of Life encourages the listener to slow down, take stock, tune in to the more-than-human world around them, and gather their courage and joy in light of the uncertainty to come.
