Often referred to as “The Hendrix of the Sahara”, Vieux Farka Touré was born in Niafunké, Mali in 1981. He is the son of legendary Malian guitar player Ali Farka Touré, who died in 2006. Ali Farka Touré came from a historical tribe of soldiers, and defied his parents in becoming a musician. When Vieux was in his teens, he declared that he also wanted to be a musician. His father dissaproved due to the pressures he had experienced being a musician. Rather, he wanted Vieux to become a soldier. But with help from family friend the kora maestro Toumani Diabaté, Vieux eventually convinced his father to give him his blessing to become a musician shortly before Ali passed.
Vieux was initially a drummer / calabash player at Mali’s Institut National des Arts, but secretly began playing guitar in 2001. Ali Farka Touré was weakened with cancer when Vieux announced that he was going to record an album. Ali recorded a couple of tracks with him, and these recordings, which can be heard on Vieux’s debut CD, were amongst his final ones. It has been said that the senior Touré played rough mixes of these songs when people visited him in his final days, at peace with, and proud of, his son’s talent as a musician.
In 2005, Eric Herman (still Vieux’s manager today) of Modiba Productions expressed an interest in producing an album for Vieux; this led to Vieux’s self-titled debut album, released by World Village in 2007. Ali Farka Touré’s work to tackle the problem of malaria is continued as 10% of proceeds are donated to Modiba’s “Fight Malaria” campaign in Niafunké through which over 3000 mosquito nets have been delivered to children and pregnant women in the Timbuktu region of Mali. On this first album, Vieux pays homage to his father and follows Ali’s musical tradition, giving new versions of the West African music that is echoed in the American blues. The album features Toumani Diabaté, as well as his late father. One of the tracks, ‘Courage’, is on the soundtrack of the film The First Grader (2010).
On his second record, Fondo on Six Degrees (2009), Vieux branched out and presented his own sound: while remaining true to the roots of his father’s music he uses elements of rock, Latin music, and other African influences. The album received a great deal of critical acclaim from across the globe, and Vieux was clearly moving out of his father’s shadow.
By June 2010, Vieux was performing at the opening concert for the FIFA World Cup in South Africa. That month Vieux also released his first live album, LIVE. His live performances are highly energized and Vieux is known for dazzling crowds with his speed and dexterity on the guitar, as well as his palpable charisma and luminous smile, both of which captivate audiences from all audiences in spite of any language barriers (though Vieux does speak 8 languages).
In 2011 Vieux released his 3rd studio album, The Secret, so named because the listener will hear the secret of the blues with a blend of generations from father to son. It was produced by guitarist Eric Krasno (of the Soulive trio) and features South African-born vocalist Dave Matthews, Derek Trucks on electric slide guitar and jazz guitarist John Scofield. The title track is the last collaboration between Vieux and his late father. With the heralded release of The Secret, Vieux Farka Touré has clearly established himself as one of the world’s rare musical talents and guitar virtuosos with a distinct style that always pays homage to the past while looking towards the future.
Vieux released The Tel Aviv Session (Cumbancha) in April 2012, a collaborative project with Israeli superstar Idan Raichel dubbed ‘The Touré-Raichel Collective’ that has been hailed by fans and critics alike as a masterpiece and one of the best collaborative albums in the history of international music, drawing comparisons to Ali Farka Touré and Ry Cooder’s legendary Talking Timbuktu album.
In 2013, Vieux Farka Touré’s beautiful and critically acclaimed latest album Mon Pays was released as an homage to his homeland. Being that his native Mali had recently been splintered by territorial fighting between Tuareg and Islamic rebels since January 2012, Mon Pays was devoted to reminding the world about the beauty and culture of his native Mali. Translated as ‘My Country,’ this predominantly acoustic undertaking transformed into an artifact of cultural preservation. Two songs on the project -Future’ and ‘Peace’ feature Sidiki Diabate’s kora leading an emotional charge complemented by Touré’s spectacular guitar work. Both tracks represent an important generational “passing of the torch” as Sidiki’s father, Toumani is considered one of the greatest living kora masters and was a close friend of Vieux’s father Ali. Mon Pays has been widely hailed as the most mature and lovely record yet from one of this generation’s most exciting artists to come out of Mali and one of world music’s true rising stars.
Vieux reunited with Idan Raichel in Paris to record, release and subsequently tour their 2nd collaborative album as The Touré-Raichel Collective in 2014. The result was yet another musical and critical triumph, titled ‘The Paris Session’ (Cumbancha) revered by many as not just a musical gem for the ages but a powerful testimonial to the power of art and fraternity to transcend vast cultural and political divides. This year, Vieux is preparing to release another unexpected, genre-bending collaborative album, this time with New York-based singer Julia Easterlin, aptly titled ‘Touristes’. With each new project, Vieux expands his horizons, embraces new challenges and further entrenches his reputation as one of the world’s most talented and innovative musicians.
Since music is the universal language, it’s only fitting that AFROSONICS has chosen this medium to bring people with diverse musical influences together in the creation of an original music style. Audiences experience new vibes through a fusion of guitars, drums, percussion, keyboards, electronic soundscapes, vocals, dance and chants. Although most of the rhythms are of African and American origin, it’s tough to put a label on their sound. Afrosonics incorporates music from all over the world and the root of each member intermingles to create something both classic and unique. In addition to their own music, the group draws an influence from other musical genres i.e. South American, The Caribbean, Funk, Southern American Jazz, Blues, Rock and others that capture the true essence of the African, American or Universal spirit. MEET THE MUSICIANS The members of the group have come to Boise from different points on the African and American maps, each with a deep respect for their heritage and a special contribution from their respective culture.
Dayo “Ariwo” Ayodele heralds from the Yoruba tribe in Nigeria. Community building and music are where his true devotion lie. He is the group leader. He helps with the musical arrangements, production and is a multi-percussionist and songwriter for the group. The origins of all music can be traced back to Africa and he honors this tradition by singing and dancing to African inspired songs any day, anytime.
Matt Fabbi values diverse styles and sounds and naturally gravitates to interesting cultural musical experiences. Originally from California, Matt is a freestyle master capable of rock, jazz, soul, and a spicy international blend. A tour de’ force, he’s a highly skilled instrumentalist who arranges, writes, produces, sings and plays bass for the group.
Ricky Martinez is the band’s Kit Drummer. Also from Boise, Idaho, he’s an accomplished musician with Jazz and Old school funk music influence. He lends a powerful rhythmic pallet and also help in the arrangement of the group’s eclectic music.
Todd Dunnigan, a native of Idaho, is a multi-faceted keyboardist, vocalist and record producer, and has worked in nearly every area of the music business. He first started playing professionally when he was 15 in his hometown of Boise, Idaho. Throughout the 80’s & 90’s he played and toured with a variety of acts, including Smokey Robinson, The Moody Blues, Boz Skaggs, Gary US Bonds and the national touring company of Beauty and the Beast. In 1988, he produced his first album, “Small Pond,” a compilation of local Boise artists. Over the last 15 years, Dunnigan has produced hundreds of albums for every type of artist from punk to polka. These experiences have provided him with a diverse palette of first-hand musical knowledge to draw upon.
Cathima Kodet is African singer and dancer, Multi-percussionist has been drumming and dancing from a young age and has risen to the status of a Performer. He is a native of Congo Brazzaville and a former refugee in the country of Gabon in Africa. He relocated to Boise in 2010 with his older brother and parents. Dance and music are his passion; a sentiment clearly shared by the other members of the group.
Fabian Leeflang is a vocalist and percussionist. He comes from a musical family. He grew up singing with the church choir in his native Surinam with a major African influence in his life and claiming Africa to be his ancestral home. Fabian brings a strong vocal elements to the group.
Esteban Anastasio’ s impeccable timing and Mediterranean, Middle Eastern and Latin infusion on electric and acoustic guitar or bouzouki lends an eclectic sound that blends classic with avant-garde funk with a crisp edge, the Idaho native is a musical force to be reckoned with.
Ashley Rose Smith is a powerful vocalist and songbird. Born into a musical family in Boise, Idaho, she is the daughter of a folk singer. Ashley’s voice rolls out with the softness of a harp at times and the intensity of a full horn section at others. Her voice is a vibrant and harmonious force she unleashes standing toe to toe with other multi-instrumentalists in Afrosonics and the Industry. The purity of her voice sooths and inspires and is always a joy to the ears.
INTRODUCING THE NATIVE INSTRUMENTS Some of the drums and string instrument used in performances are the ancestors of a Western counterpart, some people may be somewhat familiar with the congas. However the beautiful Bouzouki and the huge Djundjun will be novel to most audience members. Other exciting musical experiences await with the Agogo, Shekere, Ngoma and Djembe.
SHARING THE SPIRIT Since their inception in the summer of 2013, AFROSONICS has performed at venues such as the Treefort Fest, World Refugee Day, Art in the Park, Boise 150th Celebration, Hyde Park Street Fair Festival and other social gatherings. Their eclectic blend of influences will surly help others appreciate the rich tapestry of world culture through the magic of music.