with Billy Big Rig and Nick Delffs
Pearl Charles lives in the moment, seeking excitement whether it leads her down a dark,
dusty road or into the arms of a trouble-making lover. Her full-length debut album, Sleepless
Dreamer, describes late night revelry, love affairs, running away and running towards,
serenading the sunrise through whirlwind stories of her native Los Angeles, the city, the
canyon, the desert, and the road. On a quest to discover the truest version of herself,
Charles embraces the feeling of not being settled, a person who always restlessly wants
more from life and is willing chase it, wherever it may lead her.
Sleepless Dreamer finds her soulful, often sultry voice gliding through songs tinged with
cosmic Americana, a little disco, some classic rock & roll, and a whole lot of that smooth AM
gold. Passion, psychedelics and heartbreak inform the highs and lows she rides through the
album. Finally able to see clearly through the smoke and mirrors of her surroundings,
Charles departs on a consequent journey of questioning and soul-searching, eventually
hitting the road in the inevitable search for answers.
As heard in the title track, themes of disillusionment and subsequent realization run through
to the album. Examined through the lens of relationships, whether it be the one between her
and a lover, a friend, a city, the road, the world, or perhaps most importantly, herself, each
experiences helps to shape her developing perspective and worldview.
On “All The Boys,” she contemplates the cyclical nature of toxic attraction. Funky stand-out
“Night Tides” looks at the illusion a person presents in the beginning of a romance, only to
reveal their true colors once they’ve lured you in. She recognizes the pattern of being drawn
to a tempting yet toxic muse over and over, but admits it fuels her creatively.
While many of the songs revolve around romance, they are juxtaposed with more
existential/philosophical tracks like “Ghost” and “Only In America”, examining the meaning of
life and what plagues her generation of disaffected youth.
Arriving January 2018 on Kanine Records, Sleepless Dreamer was produced and
engineered by Kenny Woods (formerly of Beck) at the Haas Brothers studio in West Adams,
CA. After working together on some covers for Aquarium Drunkard’s Lagniappe Sessions
series last summer, Charles knew Woods was the right person to collaborate with on her full-
Enlisting an all-star band of friends, the album features the work of Father John Misty’s Chris
Dixie Darley (guitar), Dan Bailey (drums), Eli Thompson (bass), and David Vandervelde
(guitar), Darian Zahedi (guitar) of CRX, Connor “Catfish” Gallaher (pedal steel) of Calexico,
Drew Erickson (keys) of Roger Waters, and Maxim Ludwig (guitar). Additional writing
collaborators include Stephen McBean (Black Mountain), Jonathan Rice, Jonathan Tyler
(Nikki Lane), Carrick Moore-Gerety, and Brian Harding.
Charles has been playing music since she was five years old. At 18, she formed country duo
The Driftwood Singers with Christian Lee Hutson, singing and playing guitar and autoharp. At
22, she joined garage rock band The Blank Tapes as drummer. After two fun-filled years
immersed in the rock and roll lifestyle, she decided it was time to pursue her own
songwriting, and began developing the songs that formed 2015’s eponymous debut EP on
Burger Records. Her music career has been a chronological progression from old time music
to 60’s garage and psychedelia, and now more 70’s country rock and 80’s smooth rock.
Drawn to catchy, poppy hooks and choruses, Charles draws on what she loves about each
era while developing her unique style as a musician, singer, and songwriter.
New local Boise project.
Nick Delffs is a seeker. He’d never identify himself that way. He’s unassuming and self-effacing, careful to discuss song meanings and biographical details without indulgence or melodrama. Delffs cut his teeth playing basement shows in Portland a dozen years ago, just before that city’s cover was irreversibly blown. It was a time when being musically ambitious meant impressing other local musicians. You were a joke, in that world, if you proclaimed yourself an artist or promoted your band with any zeal. So Delffs would probably find “seeker” a rather grandiose title.
But Nick Delffs is, in fact, a seeker. He’s an old-school rustler of the human condition; a tireless navigator of social and spiritual landscapes; a genuinely curious and wide-eyed, mankind-enthusiast. Soon after meeting him, one gets the impression that Delffs could be dropped in some far corner of the Earth and he’d not only survive, but he’d make a lot of friends—maybe even start a new band. In both casual conversation and his songwriting, Delffs gravitates to the universal. That’s his search. His life’s work is in the identification and removal of our shared illusions. And that is, largely, what Delffs writes songs about. Songs come to him when he’s “feeling detached from the world but totally in love with it at the same time,” he says. “Mostly they come when I am patient and I don’t need them or care about them too much.”
They happen to be pretty catchy songs. Delffs first emerged in 2003 as the frontman for the seminal Portland band The Shaky Hands, known for their jangly, pulsing and introspective songs and their high-energy live shows. The band would sign to the venerable Kill Rock Stars imprint and tour internationally with bands like The Shins and Meat Puppets.
The Shaky Hands went on hiatus in 2011, and the changes came fast and furious for Delffs. He released a stripped-down, self-titled EP as Death Songs. He became a father. He relocated to Idaho. He took odd jobs and worked as a landscaper. All the while, he was strengthening his musical chops by collaborating with artists like Luz Elena Mendoza (Y La Bamba) and Ali Clarys—both of whom play important roles on his new LP, Redesign.
Living in Boise, Delffs remained a beloved figure throughout the Northwest—traveling often and moonlighting in friends’ touring bands. Slowly, through collaboration and time off, the pressure of being a full-time songwriter subsided and a thrilling new confidence emerged in Delffs’ own work.
“I like to disassociate myself with being a songwriter,” he says. “I like to forget I even do it. In the past that would have freaked me out, but I have a healthier relationship with my songs now. It’s less codependent.”
Redesign is the first full-length album Delffs has ever released under his own name. He first shed the Death Songs moniker in 2015, when he unceremoniously dropped a four-track EP of fantastic story-songs simply titled Home Recordings, and last year Mama Bird released Delffs’ reworking of the traditional English Christmas carol, “As I Sat on a Sunny Bank”. But Redesign is a self-contained universe of songs that play with themes that, on the surface, seem at odds with one another: longing for nature (“Somewhere Wild”, an ode to off-the-grid living) and learning to take responsibility (“Song for Aja”, a sweet and percussive tune about Delffs’ now six-year-old son that recalls Cat Stevens and Paul Simon). Musically, these themes are stitched together by the album’s warm, organic production and Delffs’ playing—he’s behind every instrument on the record—but Delffs also connects those seemingly disparate dots under the heading of Redesign. Heading into wilderness provides the insight for dealing with life’s heaviness; the responsibility of being a parent is also an opportunity for endless imaginative self-exploration.
The title track “Redesign” was written during a rafting trip in Eastern Oregon. “I couldn’t go for the full three days, so I went for one day and hiked back to my car alone,” Delffs says. “It took maybe nine hours, and I had no shoes, and there were rattlesnakes. I took naps, I sang in caves. I felt like I let a lot of things go on that walk.”
A redesign means “to change out the parts of yourself that don’t work, or don’t serve anyone,” Delffs explains. “And if you are changing and growing, your relationships have to as well. It seems like redesigning our relationship with the world—and staying open to change and curious about the future—is more important now than ever.”
This is what you can depend on from Nick Delffs. In a world of noise and madness, he will use his music to try and scratch at something human and real. Something helpful. Nick Delffs is a seeker. He shares his discoveries. Redesign is his greatest gift yet.
Redesign will be released on July 21st from Mama Bird Recording Co.